A POLITICAL-HISTORICAL DRAMA
SCREENPLAY SCENE – GUYANA, OCTOBER 2026
FADE IN:
EXT. GEORGETOWN, GUYANA – DAY
The tropical sun hangs over Georgetown.
The streets are alive with activity. Minibuses weave through traffic. Vendors call out their prices. Pedestrians hurry along Regent Street.
A newspaper vendor stands at a busy intersection, holding up the day's headlines.
NEWSPAPER VENDOR
(reading aloud)
Former PNC Leader Robert Corbin dies at seventy-eight!
The camera moves across Georgetown.
Political posters, faded campaign photographs and party symbols adorn walls and buildings.
Two names have dominated Guyana's political landscape for generations:
THE PEOPLE'S PROGRESSIVE PARTY.
THE PEOPLE'S NATIONAL CONGRESS.
NARRATOR (V.O.)
Since the middle of the twentieth century, Guyana's political destiny has been profoundly influenced by two major political movements.
The People's Progressive Party and the People's National Congress.
Their rivalry shaped elections, governments, political loyalties and, for generations, the relationship between Guyanese communities.
But the passage of time has brought new generations, new expectations and new political movements.
The question remains: Can a country move beyond the political divisions of its past?
DISSOLVE TO:
EXT. ARTHUR CHUNG CONFERENCE CENTRE, GEORGETOWN – EVENING
October 14, 2026.
Vehicles arrive at the conference centre.
Political leaders, former parliamentarians, party officials, relatives and members of the public make their way inside.
A memorial gathering is being held in honour of ROBERT HERMAN ORLANDO CORBIN, former leader of the People's National Congress Reform.
He died on October 4, 2026, at the age of seventy-eight.
His death has brought together political figures from opposing sides of Guyana's political divide.
INT. ARTHUR CHUNG CONFERENCE CENTRE – EVENING
A photograph of Robert Corbin stands prominently before the gathering.
Floral arrangements surround it.
Family members sit in the front row.
Across the hall, politicians from different parties exchange greetings. Some shake hands warmly. Others acknowledge one another with restrained nods.
There is an unusual atmosphere.
Political rivals are gathered under one roof, united by the passing of a man who had spent much of his life in politics.
A speaker concludes a tribute.
The audience applauds.
DR. BHARRAT JAGDEO, General Secretary of the People's Progressive Party and Guyana's Vice-President, approaches the microphone.
He pauses.
Looks across the gathering.
JAGDEO
Robert Corbin was a man who defended his party fiercely. He was a strong advocate for the People's National Congress.
But he also understood that the future of Guyana required something more than political confrontation.
He was prepared to engage. He was prepared to take risks.
And sometimes, taking those risks came at a personal political cost.
The audience listens.
JAGDEO
For many years, our politics has been shaped by mistrust, historical grievances and the fear of stepping outside the expectations of our respective parties.
We became prisoners of our own political thinking.
A pause.
JAGDEO
But the younger generation is different.
They do not necessarily see politics in the same way their parents and grandparents did.
They may support one party on one issue and another party on a different issue.
They want answers. They want opportunities. They want a future.
He looks towards the representatives of the PNC.
JAGDEO
Unless our parties, these two parties, change today, the era of binary thinking of old is long gone.
We will face extinction.
A silence settles over the hall.
Some members of the audience exchange glances.
Others remain motionless.
Jagdeo steps back from the microphone.
The applause is measured.
CUT TO:
INT. CONFERENCE CENTRE – AUDIENCE – CONTINUOUS
A YOUNG GUYANESE MAN, perhaps twenty-five, leans towards an older man seated beside him.
YOUNG MAN
What does he mean by extinction?
OLDER MAN
He means the old politics cannot continue forever.
YOUNG MAN
But it has continued all my life.
OLDER MAN
And before you were born.
The young man looks towards the stage.
YOUNG MAN
Then perhaps it is time somebody asked what comes after it.
The older man says nothing.
CUT TO:
INT. CONFERENCE CENTRE – FRONT ROW – CONTINUOUS
A PNC REPRESENTATIVE sits quietly, reflecting on Jagdeo's remarks.
Beside him, another party official leans closer.
PNC OFFICIAL
Do you believe they are serious about changing?
PARTY REPRESENTATIVE
That is the question.
He looks towards the photograph of Robert Corbin.
PARTY REPRESENTATIVE
Corbin understood that political parties could disagree without treating each other as enemies.
CUT TO:
EXT. ARTHUR CHUNG CONFERENCE CENTRE – NIGHT
The gathering continues.
Outside, small groups of people stand beneath the lights, discussing the speech.
Some agree with Jagdeo. Others question his intentions.
A young woman speaks to a friend.
YOUNG WOMAN
We were born into this political divide. We inherited it. But must we pass it on to our children?
Her friend looks towards the illuminated conference centre.
FRIEND
Perhaps the question is not whether the parties will change.
Perhaps it is whether the people will demand something different.
The two women walk towards the parking area.
NARRATOR (V.O.)
Robert Corbin's passing brought together people who had spent decades on opposite sides of Guyana's political landscape.
His memorial gathering became more than an occasion to remember a political leader.
It became a moment to confront an uncomfortable question.
For how long can a nation remain divided between two political traditions?
And what happens when a new generation refuses to inherit the political loyalties of the old?
CUT TO BLACK.
SUPER:
GUYANA – A NATION AT THE CROSSROADS.
INT. LIONEL MOHABIR'S OFFICE – NIGHT – OCTOBER 2026
A quiet office.
A computer monitor illuminates the room.
LIONEL MOHABIR sits behind his desk, studying the screen. A half-empty cup of tea rests beside the keyboard.
He moves the mouse.
Clicks on FACEBOOK.
The familiar blue-and-white page appears.
He begins scrolling.
Photographs. Political commentary. News headlines. Advertisements. Short videos.
He scrolls again.
Stops.
An AI-generated video catches his attention.
The caption reads:
"A MEETING BEYOND TIME – FORBES BURNHAM AND CHEDDI JAGAN."
Lionel leans closer.
Clicks PLAY.
CUT TO:
INT. ANOTHER REALM – TIMELESS SPACE
Strange and boundless.
An immense, mysterious expanse stretches into infinity.
There is no visible sky, no ground, no horizon. A soft golden light illuminates the surroundings.
Two figures stand facing each other.
A YOUNG FORBES BURNHAM, dressed in a dark suit and tie, appears confident and composed.
Beside him stands a YOUNG CHEDDI JAGAN, wearing a light-coloured suit, white shirt and bowtie.
Both men appear as they did in their younger political years.
For a moment, neither speaks. FORBES breaks the silence.
FORBES
Cheddi, look at you. You still have that serious face.
CHEDDI
And you, Forbes. You still have that confident smile.
Forbes laughs.
FORBES
Some things never change.
CHEDDI
That depends on what you mean by change.
Forbes walks a few steps, looking into the endless space.
FORBES
Tell me something, Cheddi. Iz wah going on wid yuh people dem in the PPP?
Cheddi looks at him.
CHEDDI
My people? What are you talking about, Forbes?
FORBES
You know exactly what I mean. The party we helped build. The movement that was supposed to bring people together. What has become of it?
Cheddi takes wipes his nose.
CHEDDI
Politics is never as simple as we imagined it would be.
FORBES
We started together, Cheddi. Remember?
CHEDDI
Of course I remember.
FORBES
The meetings. The speeches. The struggle against colonial rule. We stood before the same crowds and spoke about freedom, justice and a better future.
CHEDDI
And then we disagreed about the direction of the movement.
FORBES
Disagreement is one thing. What happened afterwards was something else.
A silence.
CHEDDI
Guyana inherited many divisions. We did not create all of them.
FORBES
But we had a responsibility to prevent them from becoming permanent.
Cheddi looks away.
CHEDDI
You are speaking as though you were not part of the problem.
FORBES
I am not claiming innocence, Cheddi.
He pauses.
FORBES
But perhaps we should stop arguing about who was right and who was wrong.
Forbes moves closer.
FORBES
I want you to visit Guyana.
CHEDDI
Visit Guyana? We are dead, Forbes.
FORBES
(laughing)
And since when has that stopped us from having a conversation?
Cheddi smiles faintly.
Suddenly, a strange vibration fills the space.
A low, resonating sound grows louder.
The golden light begins to ripple.
CHEDDI
What is happening?
Forbes turns towards the disturbance.
In the distance, an enormous elliptical opening begins to appear.
Its edges shimmer like liquid glass.
The opening expands, contracts, then expands again.
FORBES
There it is.
CHEDDI
What?
FORBES
The Time Warp.
Cheddi stares at the phenomenon.
CHEDDI
Time Warp?
FORBES
An opening between the realm in which we exist and the world we left behind.
The opening contracts until it is almost closed.
Then suddenly expands.
Within it, images flash.
Georgetown streets. Sugar estates. Political rallies. Government buildings. Market stalls. Minibuses. Modern skyscrapers.
FORBES
It opens and closes. Expansion and contraction. At the moment of expansion, you can pass through.
CHEDDI
And where will it take me?
FORBES
Home, Cheddi. Back to Guyana.
Cheddi studies the opening.
CHEDDI
What am I supposed to look for?
Forbes looks directly at him.
FORBES
The people.
A pause.
FORBES
Not the politicians. Not the party headquarters. Not the speeches.
The people who work every day to survive.
The people whose hopes we once promised to fulfil.
Cheddi becomes thoughtful.
CHEDDI
And what about you?
FORBES
I will remain here.
Forbes extends his hand.
Cheddi shakes it.
FORBES
Go and see for yourself.
The opening begins to expand.
A powerful wind sweeps through the timeless space.
Cheddi adjusts his jacket.
He walks towards the shimmering opening.
FORBES
Cheddi!
Cheddi turns.
FORBES
When you return, tell me what you saw.
CHEDDI
I will, Forbes.
The opening reaches its maximum expansion.
Cheddi steps forward.
A brilliant flash of light engulfs him.
CUT TO:
EXT. MON REPOS MARKET – EAST COAST DEMERARA – DAY
A burst of light.
Cheddi emerges onto a busy space.
The sounds of modern Guyana surround him.
Minibuses honk. Vendors shout their prices. Customers move between market stalls.
Cheddi steadies himself.
He looks down at his clothing.
His well-tailored suit. White shirt. Bow tie. Polished shoes.
He adjusts his steps.
For a moment, he appears disoriented.
CHEDDI
Mon Repos?
He looks around.
CHEDDI
My goodness. So much has changed.
He walks towards the market.
INT. MON REPOS MARKET – CONTINUOUS
The market is crowded.
Vegetables are arranged on wooden tables. Fishmongers display their catch. Bags of rice, flour and sugar are stacked behind shop counters.
A WOMAN examines a small quantity of provisions.
WOMAN CUSTOMER
How much for the rice?
VENDOR
Four hundred dollars a pound.
WOMAN CUSTOMER
And the flour?
VENDOR
Two hundred and fifty.
The woman looks into her purse.
She counts a few notes.
WOMAN CUSTOMER
Give me half a pound of rice, then.
The vendor measures the rice into a plastic bag.
Cheddi stops.
He watches the exchange.
CHEDDI
Excuse me, madam.
The woman turns.
WOMAN CUSTOMER
Yes, sir?
CHEDDI
Are those the current prices?
WOMAN CUSTOMER
Current? Every day they going up.
Cheddi looks towards the vendor.
CHEDDI
What about sugar, cooking oil and other necessities?
VENDOR
Sir, you want to buy or you just asking questions?
Cheddi gives a faint smile.
CHEDDI
I am trying to understand something.
He moves along the stall.
A handwritten price list catches his attention.
Rice. Flour. Sugar. Cooking oil. Milk. Onions. Potatoes.
He reads the prices carefully.
CHEDDI
And how does an ordinary family manage?
The vendor shrugs.
VENDOR
Some manage. Some don't. People buying less and less.
Nearby, an ELDERLY WOMAN is counting coins.
ELDERLY WOMAN
I can't afford all of them today.
VENDOR
Take what you can, aunty.
ELDERLY WOMAN
I have to make this money last until next week.
She selects a few potatoes and a small quantity of rice.
Cheddi watches her walk away.
His expression changes.
He approaches a young mother holding a child.
CHEDDI
Madam, may I ask you something?
YOUNG MOTHER
Yes, sir.
CHEDDI
Do you find it difficult to provide the necessities for your family?
The young mother looks at him, surprised by the question.
YOUNG MOTHER
Difficult? Sir, every day is a calculation.
She points towards the shopping bag in her hand.
YOUNG MOTHER
I have two children. School expenses, transportation, food, electricity. Everything has to come out of the same salary.
CHEDDI
And your husband?
YOUNG MOTHER
He works too. But two salaries don't always mean two people can live comfortably.
Cheddi nods slowly.
CHEDDI
I understand.
YOUNG MOTHER
Do you, sir?
Cheddi looks at her.
He has no immediate answer.
The young mother adjusts her child and walks away.
Cheddi remains standing.
The noise of the market seems to fade.
He looks again at the price list.
His eyes move from one item to another.
The expression on his face grows increasingly solemn.
CHEDDI
(softly)
Is this what we struggled for?
He removes his bowtie.
His eyes, once bright with political conviction, have lost their gleam.
A deep sadness settles over his face.
CUT TO:
EXT. MON REPOS MARKET – MARKET ENTRANCE – DAY
Cheddi walks slowly towards the entrance.
He stops beside a concrete pillar.
Children pass carrying schoolbags.
An elderly man pushes a heavily loaded cart.
A vendor calls out to passing customers.
Life continues.
Cheddi looks at the people.
CHEDDI
(to himself)
We spoke of freedom.
We spoke of equality.
We spoke of a country where every child would have an opportunity.
He looks down at his hands.
CHEDDI
But what does freedom mean when a mother must choose between food and the other necessities of life?
He looks towards the road.
A minibus passes, its conductor calling out destinations.
Cheddi watches it disappear.
CHEDDI
Forbes was right.
He pauses.
CHEDDI
I must see more.
CUT TO:
INT. TIMELESS REALM – SAME TIME
Forbes stands before the shimmering opening.
The images of Mon Repos Market appear within it.
He watches Cheddi standing alone.
Forbes folds his arms.
FORBES
Well, Cheddi?
He shakes his head.
FORBES
You wanted to change the world. Now look at the world you left behind.
The opening begins to contract.
Forbes steps back.
FORBES
I wonder what you will tell me when you return.
FLASHBACK
THE BIRTH OF THE PEOPLE'S PROGRESSIVE PARTY.
EXT. GEORGETOWN, BRITISH GUIANA – DAY – 1950
BLACK AND WHITE.
Archival-style images of colonial Georgetown.
The imposing colonial buildings along Main Street. Horse-drawn carts move through narrow streets. Bicycles weave between pedestrians. Vendors display their goods beneath wooden awnings.
Sugar workers return from the estates, their clothes marked by a day's labour.
Indian and African labourers walk together through the busy streets.
A train whistle sounds in the distance.
NARRATOR (V.O.)
The modern political history of Guyana entered a new chapter with the formation of the People's Progressive Party on January 1, 1950.
It was a movement that brought together people of African and Indian ancestry under one political banner.
Dr. Cheddi Jagan. Forbes Burnham. Janet Jagan.
They shared a common political ambition: to challenge colonial rule and establish a government responsive to the people.
CUT TO:
EXT. GEORGETOWN STREET – DAY
A newspaper vendor stands outside a crowded street corner.
He holds up a freshly printed newspaper.
NEWSPAPER VENDOR
(reading aloud)
New political party formed! People's Progressive Party!
Pedestrians stop to listen.
A young Indian labourer takes a newspaper from the vendor.
An African shop assistant standing nearby leans over to read the headline.
AFRICAN SHOP ASSISTANT
So, what is this new party about?
INDIAN LABOURER
They say it is for the working people. For everybody.
AFRICAN SHOP ASSISTANT
Everybody?
INDIAN LABOURER
That's what they say.
The two men exchange a cautious smile.
CUT TO:
INT. PPP HEADQUARTERS – GEORGETOWN – DAY
A modest room.
Wooden chairs surround a long table. Papers, notebooks and newspapers are scattered across its surface.
DR. CHEDDI JAGAN sits with JANET JAGAN, SYDNEY KING and FORBES BURNHAM.
Several founding members are present.
The atmosphere is purposeful.
Cheddi examines a document.
CHEDDI
We cannot continue to accept a political system in which decisions affecting the lives of ordinary people are made without their participation.
FORBES
And we must make certain that the party represents the entire country.
He looks around the table.
FORBES
African workers, Indian workers, teachers, farmers, clerks, shopkeepers. This movement cannot belong to one community.
JANET
Then we must take that message beyond Georgetown.
She places a map of British Guiana on the table.
JANET
The sugar estates, the villages, the mining districts, the rural communities. People must know that this party belongs to them.
Cheddi nods.
CHEDDI
Our struggle is against colonial domination and economic injustice.
FORBES
And we must organise. A political movement without organisation cannot become a government.
The men exchange glances.
CHEDDI
Then let us begin.
CUT TO:
EXT. SUGAR ESTATE VILLAGE – BRITISH GUIANA – DAY
A gathering beneath a large tree.
Sugar workers assemble after their day's labour.
Some sit on wooden benches. Others stand with their bicycles.
Cheddi Jagan addresses the crowd.
CHEDDI
You work in the fields. You produce the sugar that brings wealth to this colony.
But what do you receive in return?
The crowd murmurs.
CHEDDI
Your children deserve education. Your families deserve decent housing. Workers deserve fair treatment.
A man raises his hand.
SUGAR WORKER
Doctor, we hear plenty speeches. What will this new party do for us?
Cheddi looks directly at him.
CHEDDI
It will give you a voice. But that voice must come from you. You must participate in deciding your future.
The workers applaud.
CUT TO:
EXT. GEORGETOWN PUBLIC MEETING – EVENING
A large crowd gathers around a wooden platform.
Forbes Burnham stands before the audience.
FORBES
We cannot build a country by keeping its people apart.
He gestures towards the crowd.
FORBES
The future of British Guiana belongs to all its people.
African and Indian. Rural and urban. Workers and professionals.
No community should believe that the country belongs exclusively to another.
The crowd applauds.
Cheddi stands nearby, listening.
For a moment, the two men exchange a look of understanding.
CUT TO:
INT. PPP HEADQUARTERS – NIGHT
The meeting has ended.
Only Cheddi, Forbes and Janet remain.
An oil lamp illuminates the room.
Cheddi gathers the papers from the table.
CHEDDI
We have much work ahead of us.
FORBES
More than we can imagine.
Janet closes her notebook.
JANET
Then we had better begin.
Forbes looks at Cheddi.
FORBES
One thing, Cheddi. We must remember why we started this.
CHEDDI
I won't forget.
FORBES
Neither must the party.
They shake hands.
The camera holds on their joined hands.
1950 – A MOVEMENT UNITED.
FLASHBACK – 1952
AGE: 7 years old
Location: ROSIGNOL VILLAGE
SCENE 1 – THE FIRST CUP
EXT. ROSIGNOL PUBLIC ROAD – EARLY MORNING (1952)
Low mist hanging over the road. Chickens
scattering. A few early cane workers passing by with cutlasses on their
shoulders.
Young SYDNEY GORDON KUTTAIN (7) crouches at the
side of the road like a miniature general plotting a battlefield. He has a
piece of chalk almost as long as his forearm. Beside him stand YOUNG WALTER
ARTHUR and YOUNG LIONEL MOHABIR — tiny, barefoot, eager.
YOUNG GORDON
(whispering like a commander)
Okay… Walter, you watch for police. Lionel, you hold the bag. If you see
Constable Ramnath, whistle.
YOUNG LIONEL
I can’t whistle.
YOUNG WALTER
Then… cough. Cough twice.
Lionel nods solemnly, as if entrusted with a
sacred mission.
Gordon stretches and draws the PPP CUP symbol
on the lamp pole — carefully, deliberately.
YOUNG GORDON
Perfect. That gon’ show them we serious, me father said we have to act serious.
YOUNG WALTER
What “serious” mean?
YOUNG GORDON
It mean… it mean people gon’ know PPP running this place.
The boys exchange looks. They don’t understand
politics, but they understand pride.
SCENE 2 – THUNDER RUN
EXT. SYDNEY MADRAY KUTTAIN’S FRONT DOOR – AFTERNOON
(1952)
Piles of the PPP newspaper THUNDER sit
stacked near the door. Young Gordon’s father, SYDNEY MADRAY KUTTAIN, sorts them
with practiced hands.
FATHER KUTTAIN
(firm)
Gordon, Walter, Lionel — carry these to Teacher Persaud. And don’t let them
drop in mud like last time.
The boys nod enthusiastically.
FATHER KUTTAIN hands each a bundle tied with
string. The papers are heavy for their tiny arms.
YOUNG WALTER
(arms shaking)
Uncle, this heavy!
FATHER KUTTAIN
Dem stories heavy too — full of truth. Hold them strong.
The boys stagger off, bumping into each other,
determined.
SCENE 3 – THE ERRAND TO NEIGHBORING VILLAGES
EXT. RICE FIELDS / DAM ROAD – DUSK (1952)
Golden light over the rice fields. The boys walk
single-file along a narrow dam, balancing the bundles. Lionel keeps falling
behind.
YOUNG LIONEL
(small voice)
My leg hurting…
YOUNG WALTER
Come nah, man! We close.
Gordon stops, looks back, and hands Lionel a
piece of sugar cake.
SCENE 4 – ADDRESSING THE WORKERS
EXT. NEIGHBORING VILLAGE – WORKERS’ SHED –
EVENING (1952)
A group of cane cutters rest after work.
Sweat-stained shirts. Feet caked in mud. They laugh as they see the three tiny
boys struggling toward them.
CANE CUTTER
Ay! Look Kuttain lil’ brigade coming again!
The boys dump the papers on a bench with
dramatic exhaustion.
YOUNG WALTER
We bring… Thunder!
YOUNG LIONEL
(holding up a paper proudly)
This one got picture of the cup!
The men grin and distribute the papers among
themselves.
CANE CUTTER #2
(tousling Gordon’s hair)
One day, you boys gon’ run this country.
The boys beam.
SCENE 5 – THE NEAR ESCAPE
EXT. ROSIGNOL BACKDAM – NIGHTFALL (1952)
The boys continue drawing PPP cups on old
buildings near the market. Suddenly a bicycle bell rings sharply.
CONSTABLE RAMNATH (O.S.)
Eh eh! Who deh there? Who making graffiti pon government property?
Panic.
YOUNG WALTER
Lionel, cough! COUGH!
YOUNG LIONEL
(freezes)
I forget how to cough!
YOUNG GORDON
Run! RUN!
They scatter in three directions, barefoot
slapping on the earth. Gordon dives behind a drum, Walter under a cart, Lionel
behind a chicken coop — feathers explode everywhere.
Constable Ramnath passes grumbling, flashlight
swinging.
After a tense silence…
The boys emerge from hiding, covered in dust and
feathers, and burst into helpless laughter.
SCENE 6 – SUNSET PLEDGE
EXT. STELLING – SUNSET (1952)
The boys sit on the wooden stelling, legs
dangling above the river. The sky glows orange.
YOUNG GORDON
One day we gon’ see Guiana free.
YOUNG WALTER
Like… nobody ruling we?
YOUNG LIONEL
And everybody happy?
Gordon nods, chest swelling with childish
conviction.
YOUNG GORDON
Yes. And we gon’ be part of it. All three of we.
They tap their fists together — a childhood oath
made in innocence, but with the full weight of the future.
MONTAGE: WALTER & LIONEL
— Drawing the CUP on a shop shutter.
— Demonstrating the ballot X to a group of fishermen.
— Sneaking onto a back fence with Gordon to add “VOTE PPP”.
EXT. STREET CORNER – ONE YEAR LATER
GORDON, now eight years old,
clever and restless, receives orders from Kuttain.
KUTTAIN
You’ll add the words “VOTE PPP” beside the CUP
symbol.
Everywhere you mark it — chalk, paint, charcoal — make it clean. Recognizable.
But that’s not all.
GORDON
(smiles)
I know. Teach them how to put the X on the CUP on the ballot.
KUTTAIN
Exactly. Household by household. Field to field.
Don’t skip a single door.
Gordon nods seriously as he pockets a tin
stencil of the CUP.
MONTAGE: — GORDON AT WORK
— Showing a family how to fold a ballot.
— Drawing an X on a chalkboard CUP symbol.
— Handing a pamphlet to an elderly woman.
— Kids chasing after him as he paints “VOTE PPP” on a picket fence.
END OF FLASHBACK.
TO BE CONTINUED.